Review: Roseanne (Season 10, Episode 1)

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Roseanne Barr’s sitcom was always about the blue-collar, working-class woes of the Rust Belt. With the announcement of another revamp, fans of the original series were apprehensive especially after Season 8-9 were such a grandiose failure of esoteric anticlimaxes. Happily though, Season 10 is a riotously funny success that sheds the bitter aftertaste of the Connor’s serendipitous lottery win and Dan’s heart attack.

At the center of this premiere episode is the debate between Roseanne and Jackie (Laurie Metcalf) over the presidential election. Many of the jabs are politically pungent (when the family is about to “say grace” before dinner, Roseanne asks Jackie if she would like to take a knee) and from Roseanne’s bumpkin perspective, her support of Trump is aligned with her character since his rhetoric was about job stimuli.

After the initial inside-joke about Dan (John Goodman) being deceased and Goodman visibly scrolling the cue cards, the show kneads out the hiatus pangs for a smoother reintroduction to Roseanne’s rogues gallery. Sara Gilbert and Lecy Goranson effortlessly reprise the arsenic-and-nectar interplay between the dueling sisters. Ex-military DJ (Michael Fishman) is given short shrift but then again, he was always a minor character within the nuclear family.

Sarah Chalke as the surrogate benefactor to Becky is a shrewd way of a breaking-the-fourth-wall clashing between two eras on the show. Several of the punchlines elicit chortles including a droll exchange between Darlene’s effeminate son and Dan (“I like your nail polish.” “That’s not nail polish, son. That’s dry-wall.”).

The show hasn’t lost the zeitgeist pulse of the fly-over Red State mentality(Dan is apoplectic over Becky’s decision for her uterus to be the host of another woman’s child). They might be slower on the progression scale , but the Connors are an all-inclusive, amenable family regardless.

Rating: 3.75 out of 5

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Review: Barry (Season 1, Episode 1)

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Wandering aimlessly into an amateur acting course was the self-referential setup for Shane Black’s brilliant neo-noir Kiss Kiss, Bang Bang. A hitman/gangster exorcising their crime-ridden ennui with therapy or another incongrous outlet was the setup for Analyze This, The Sopranos, Panic and several other properties from the early 2000’s. By my count, Barry is already a decade too late for its concept.

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Runstedler’s DVD Pick of the Month: Pyewacket

Pyewacket is a great little Canadian indie horror gem about a teenage girl whose father has recently died and as a consequence of arguing with her overprotective mother, decides to summon a demon with even more disastrous consequences. Canadian Nicole Muñoz is excellent as the lead Leah, who is really into black metal and the occult and totally badass (I loved her immediately). Laurie Holden (The Mist, Andrea in The Walking Dead) is also great as her mother Mrs Reyes, who is coming to terms with a few demons of her own and runs the challenge of rebuilding her broken life and raising a teenage daughter.

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Console Consolations

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Ever been to your friend’s house and they’ve bought a new video game? They hype it up, put in the disc/cartridge and you two anxiously watch the spinning wheel of the loading screen. Then, before you can read the strategy guide, your friend apprehends the controller and begins their vicarious interactive derring-do solo. Remember how deflated you felt to be the passenger on the madcap ride? Basically, that’s how Hollywood hijacks and commandeers the viewing experience in regards to console game adaptations. Not to commit the same sin of shanghaiing the op-ed article but be my NPC on this examination of a few of the best and worst specimens.

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Runstedler’s DVD Pick of the Month: Annihilation

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Alex Garland (Ex Machina) makes a fantastic return as director/writer with Annihilation, which is based on Jeff VanderMeer’s novel. It’s about five female scientists who enter a seemingly alien, jungle-like quarantine zone searching for the lost expedition. Only one of its members returned, and he happens to be biologist Lena’s (Natalie Portman) husband Kane (Oscar Isaac – good to see the Star Wars cast together and clever homage to Kane in Alien), or so it seems. After Kane lands in the hospital, Lena teams up with the seemingly icy Dr Ventress (played excellently by Jennifer Jason Leigh), who leads a team into the Shimmer (as the quarantine zone is called) to find out what happened. The film juxtaposes the current chronological timeline with flashbacks and flashforwards, and it works quite effectively, questioning our sense of identity and self-destructive impulses. Also interesting is the relationship between Lena and Kane as well as the nature of the extramarital affair that further drives them apart (Daniel has a shockingly low moral compass too ftw).

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The Reviewinator: Star Trek – Discovery (Season 1)

For Star Trek, there’s been nothing but prequels since 2002, with Nemesis still trekking at the tail-end of the original timeline. Over at the beginning of said timeline, Enterprise was famously cancelled before it had the chance to make its mark, or at least bridge any gaps to The Original Series. And this is where Discovery hopes to succeed, taking place 10 years before the time of Captain Kirk and dealing with the much-talked-about but never-before-seen start of the Federation-Klingon War.

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Runstedler’s DVD Pick of the Month: Ma vie de Courgette (My Life as a Zucchini)

Ma vie de Courgette (a courgette is a zucchini for North American folks) is a delightful and heartwarming little stop motion film, and probably my favourite animated film since Finding Nemo. Courgette is the main character, a sensitive and intelligent little boy who is abused by his alcoholic mother and likes to make kites. After his mother dies, a benevolent police officer/social worker Raymond, who genuinely understands and cares about Courgette’s well-being, sends him to a nearby orphanage/group home. Is is there that he meets a medley of interesting children from other abused backgrounds, including Simon, who initially bullies Courgette before becoming his dear friend.

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Review: My Next Guest Needs No Introduction (Episode 1)

In the format of his friend Jerry Seinfeld’s Comedians in Car Getting Coffee, ex-talk show impresario David Letterman is chronicling his post-fame exploits. With the guerilla-style camera tilting up to his desk, Letterman fields a phone call with President Barack Obama to be the inaugural guest on his latest Netflix interview venture. When David politely exchanges goodbyes and hangs up the phone, we see the haggard look of tentative disappointment on his beard-encrusted mug as he immediately jumps to the conclusion that Obama is too preoccupied for his formal, no-frills chat.

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Runstedler’s DVD Pick of the Week: Year Zero: The Silent Death of Cambodia

David Munro’s 1979 ITV documentary Year Zero: The Silent Death of Cambodia (written by John Pilger) captures the horrors and atrocities of Cambodia’s Khmer Rouge regime (1975-79) firsthand from the front line. While it is a hard watch, it is a compelling one, featuring interviews with survivors from the camps and detailing the ongoing suffering of the people after Pol Pot’s fall. Munro’s main argument is that the Khmer Rouge arose as a direct consequence of Nixon and Kissinger’s bombings of neutral Cambodia during the Vietnam War; while I do agree that this is an aspect of it, it is a limited view, and I personally think the conflict in Cambodia is much deeper and more complex. The Khmer Rouge were also very opportunistic, seeing the end of the Vietnam War as a chance to exert their power, to use a vision of socialist utopia to fulfil their ultra-nationalistic ends, reverting civilisation to an agrarian society and basically killing off everyone in the process in horrific and sadistic ways (no one was spared; they even killed children and babies, taking photographs of everyone before they killed them).

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Runstedler’s DVD Pick of the Month: I, Tonya

Craig Gillespie’s mockumentary biopic (and first directed film) I, Tonya tells the story of Tonya Harding (Margot Robbie), an Olympic figure skater from an abused and unloved background who is the first to successfully complete the triple axel, before being accused of sabotaging the competition and banned from figure skating altogether. Robbie shines as Harding, who is ambitious, direct, and full of life, yet in need of love and a friend. This is probably her best performance to date; she’s such a gorgeous and charming actress, but she really transformed herself almost unrecognisable for the role and really becomes Harding (sort of like when Charlize Theron became Aileen Wuornos in Monster). For what it’s worth, I also think the actress who plays Harding as a little girl was excellent too. Alison Janney (American BeautyFinding Nemo) is also outstanding as Tonya’s narcissistic, horrible, abusive, lunatic mother LaVona Golden, a miserable old hag who uses her daughter as a vessel to fulfil her own inadequate life, and yet cannot recognise her daughter’s immense talent or display any forms of affection or acknowledgement for her. I appreciated the mother’s subversiveness, but hated her callousness and abusiveness, but Janney gives such a strong performance as Golden, and their chemistry was really interesting to see. I also hated her loser, piece of shit, abusive husband (I can’t even remember his name). The film indicts him as the one who arranges his loser friends to take out rival figure skater Nancy Kerrigan’s kneecap (and it basically falls to shit like everything else in their lives).

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