Who let that bitch drive?
Things get a little symmetrical and OCD in this short from Louis Paquet as he imagines what the opening credits for Forrest Gump would look like had the film been directed by Wes Anderson. I’d thumb my nose at this and call it obvious if it wasn’t so perfectly crafted.
I love Batman Beyond almost as much as I love Batman: The Animated Series, so you can bet that I’m geeking the hell out over this new animated Batman Beyond short celebrating the 75th anniversary of Batman. We already had one awesome Bruce Timm animated short, but this one? This is the real deal, because it features the voice work of Kevin Conroy and Will Friedle.
Yesterday, I talked about how Halle Berry’s first acting job was a full-time role on the sitcom, Living Dolls, a short-lived spin-off of Who’s the Boss?. Appropriately enough, one of her next acting roles was a guest appearance on another spin-off series, A Different World. Of course, A Different World was a spin-off of The Cosby Show, which focused on Denise Huxtable’s life at college, though Lisa Bonet would wind up leaving the series and going back to The Cosby Show after only one season. Still, A Different World wound up doing pretty well for itself and lasted six seasons. Anyway, you can see Halle Berry’s first appearance at the 1:15 mark of this clip.
Ari Folman’s Waltz With Bashir remains one of my all-time favourite animated films, with its gorgeous animation, incredible soundtrack, and chilling subject matter, so I’ve been waiting to see what Folman’s sophomore animated project would be. The answer: The Congress, a weird hybrid live-action/animated movie with a strange metanarrative, about Robin Wright playing herself as she is scanned into a computer and turned into a fully autonomous animated character. I’m getting a weird Heavy Metal vibe off of this, but also an almost Gilliam-like sci-fi vibe as well. It’s so unusual, it defies description, but needless to say, I’m intrigued.
Only God Forgives was a divisive film in terms of quality, but I think that we can all agree that the VFX work, on display in the showreel above, is fantastic. And perhaps the most amazing thing about it is how invisible the visual effects are – blending into the background invisibly. To me, this is exactly how VFX should be used. That arm chop effect is especially effective.
You may be familiar with the term “back-door pilot”, where an established TV show will spend an entire episode focusing on some secondary characters who are about to get their own spin-off series. In 1989, this episode of Who’s the Boss? put the spotlight on some of Alyssa Milano’s college friends, who soon got a spin-off show, Living Dolls. Two of these characters are played by Leah Remini and Vivica A. Fox in early roles. Living Dolls received mostly negative reviews and was cancelled after only 12 episodes, but the series did contain another historic “Before They Were Stars” moment. After the pilot episode, Vivica A. Fox was replaced by none other than Halle Berry in her very first acting role. Sadly, at the moment, there is no footage of her to be found on Youtube.
I usually have an instant aversion to anything that’s an obvious ripoff, but I’m making exception when it comes to The Hong Kong Massacre. It’s pretty clear that this game takes a lot of its inspiration from Hotline Miami, but it’s added just enough different material to make it interesting and appealing. Non-pixelated graphics, dual wielding (although that feature appears to be coming in Hotline Miami 2), and bullet-time all make this seem like a game full of single-take John Woo action sequences. Which is just fine by me.